Two Chapters and a Dream — How I Finally Published My First Novel

When I was a young adult, I casually wrote short stories and essays and even took a creative writing class in which I completed two chapters of a novel. But as a single mother working and caring for my three children, I didn’t have the time to devote to writing novels. Still, I put “write and publish a book” on my lifetime goal list, hoping to accomplish it one day.

I married again, and decades went by while those two chapters sat in my filing cabinet. Then one day, when my youngest daughter and I were talking about writing (she is a graphic designer and blog writer and is working on a book), I remembered those two chapters. I pulled them out of the filing cabinet and decided that, as a retiree, I had no excuse now. I should sit down and see if I could complete a full novel. “After all,” I said to myself, “isn’t writing a book on your list of lifetime goals?”

I had read enough books on writing to know that many writers find mornings to be their most productive writing time. As an early riser, that worked for me. So, on the first morning of my new writing life, I got up while my husband lay sleeping, padded into the kitchen, made a percolator full of coffee, and, with coffee mug in hand, sat down at my computer.

I began by reading the two chapters I’d written decades ago. I liked my opening paragraph but wasn’t terribly inspired by the storyline. I still like my protagonist, Amelia, but I changed her situation. The charming, seafaring captain could stay, but I changed his name and other details and began making up the rest.

My process each morning was to reread what I’d written the day before, edit it, make necessary changes, and then write some more. I wrote “by the seat of my pants,” letting my imagination carry me. If you have read my blog post, “The Wild Imagination of a Writer,” you’ll understand that coming up with ideas is no trouble at all for me.

I kept track of my daily word count and running total and recorded them in my daily journal. I know there are writers who don’t agree with this practice, but I found that it kept me motivated.

Eventually, after much writing, I found that Amelia’s cousin, Lucy, was taking over the story with her own troubles. So, I had to get rid of Lucy entirely. That dramatically cut my word count, but it was necessary.

As I completed each chapter, I read it aloud to friends and family. They pointed out repeated words and places where something wasn’t clear. Beyond that, I had no editor, human or otherwise. This was before I’d heard of editing subscriptions, and AI editing tools didn’t yet exist.

Just five months after I began writing my novel, I finished it. My novel still needed at least one more read-through, and I was about to begin that process when something horrible and terribly unexpected happened.

My husband had been complaining of headaches, and when they became so severe that the advice nurse on the phone told him to go to the ER, we did as we were told. After twelve hours in the ER, my husband was sent for a CT scan, and we learned that he had a tumor in his brain. We were devastated. A few days later, we learned that it was likely the result of melanoma that had metastasized, something we thought had been successfully treated when the melanoma was removed from his back five years earlier.

A month later, after we had begun to feel hopeful, with my husband started on immunotherapy and radiation, I sat at my computer and wondered what to do with my novel. I didn’t have the energy or focus for reading and editing. I just wanted to be done with it. My husband took priority, and I wanted to focus my energies on him. But I didn’t want the novel sitting in my filing cabinet again for an undetermined number of years, either.

So, I found a photograph that sort of looked like the English coastline, created my KDP account, and learned how to upload the novel to Amazon’s Kindle Direct Publishing platform.

When it went live, I was thrilled. I had finally written a book, a longtime dream of mine. But until I held that printed copy in my hands, I didn’t quite feel like a novelist.

When the book arrived a couple of weeks later, I smoothed my hand over the glossy cover and felt proud that I’d finally written and published a book. But as I skimmed through it, I found areas that needed editing. I corrected the errors and uploaded my manuscript once again.

I later changed the cover to one of Amazon’s generic covers. It was pretty, and I posted my novel on my blog and my personal Facebook. Later, my daughter found time to create a beautiful, professional cover using an image I bought on Shutterstock.

Five months after I first published my novel, the new cover helped propel Amelia to No 16 in Kindle’s Victorian Historical Romance category. I was elated!

Amelia, my first novel, continues to be my best-selling novel so far, with readers around the world, including in Australia, Spain, Germany, India, Brazil, France, Italy, the United Kingdom, Canada, and the United States.

Amelia

The Wild Imagination of a Novelist

People often ask where my ideas and characters for my novels come from. My wild imagination, of course. But there is nearly always a seed from my own experiences. And here is how it works.

With my latest novel, The Curator, (published under my pen name, Linda Greene), the idea of a novel began when I found a landscape painting behind my parents’ sofa when we were helping my mom move. She had forgotten it was there and said that my dad had intended for me to have it as I am someone who appreciates art and dabbles in painting.

After researching, I learned it was likely a California landscape painting. My imagination soon took off, and I pictured a divorcee finding a valuable California landscape painting in her closet and she suspected that her “ex” stole it. I went down that road for a while, developed a charming, handsome pilot, Peter, a naive young lady, Audrey and an eccentric woman, Mrs. Windermere, who owned a cottage in Cypress Cove. And a novel wouldn’t be complete without an antagonist, so along came Vincent, the rude, self-centered nightclub owner who collected art and hung around shady characters.

But as I spent more time with Vincent, he revealed a softer, more complicated side. I soon abandoned “Peter” as a love interest and developed Vincent’s character. I retained Mrs. Windermere but there was only a slight mention of Peter in the final version.

Of course, with my novel complete, I still have Peter waiting in the wings just aching to be included in a novel and he begs me to give him a lovely woman with whom he can shower kisses upon. Perhaps his aunt, Mrs. Windermere, will show up too.

And so, dear readers, you have just a glimpse into the wild imagination of a novelist!

Note: You’ll find The Curator on Amazon, published under my pen name, Linda Greene.

My new pen name and new novel

Readers of my first three novels, Amelia, The Captain’s Wife and Gathering Secrets, know me by my name, Linda Fechter. I chose to publish my fourth novel, The Curator, under a pen name, Linda Greene. You may wonder — “Why did she do that?”

It’s simple. Linda Greene is easier to pronounce and spell. It is also a name that is uniquely mine. I chose it. It wasn’t given to me through birth or marriage (as much as I value both.)

I look forward to having future novels and other writing published under my pen name, Linda Greene. In the meantime, enjoy Linda Fechter’s first three novels, Amelia, The Captain’s Wife and Gathering Secrets! And look for Linda Greene’s novel, The Curator, on Amazon!

New Novel

My new novel, THE CURATOR, published under my pen name, Linda Greene, is now out on Kindle, print and audiobook on Amazon! This is the first title under my new pen name. My first three novels, AMELIA, THE CAPTAIN’S WIFE and GATHERING SECRETS, published under Linda Fechter, continue to be available on Amazon.

Below, is a synopsis of The Curator

After Audrey’s fiancé abruptly calls off their wedding—just as she’s about to mail the invitations—her best friend Ruthie urges her to leave Brookside behind and start over in Los Angeles. Ruthie even has a job waiting: assisting her employer, Vincent, the charismatic owner of the Golden Tiki nightclub and an avid art collector. For Audrey, who once dreamed of painting but settled for a bank job, the chance feels like a doorway back to herself.

In LA, Audrey is dazzled by Vincent’s private gallery, filled with newly discovered masterpieces that seem almost miraculous. But as she settles into her role, small inconsistencies begin to trouble her. Provenances shift. Stories change. And the more she learns, the more she suspects that the truth behind the paintings is far more tangled—and dangerous—than she imagined.

At the same time, Audrey grapples with her own artistic identity. She loves painting realistic landscapes, yet the art world around her is enthralled with Abstract Expressionism. Her ex‑fiancé, Carl, suddenly reappears, eager to resume their engagement. And Vincent—brilliant, magnetic, and morally complicated—draws her in ways she never expected.

Caught between two men, two futures, and two versions of herself, Audrey must decide who she wants to become—and how far she’s willing to go to uncover the truth hidden in the art she’s been asked to protect.

Behind the story: Women’s Lives, Loss and Social Change in The Captain’s Wife

When I wrote The Captain’s Wife, I wanted Amelia’s world to feel alive with the social forces shaping women’s lives in 1849—forces that were often subtle, whispered, or shared in private gatherings long before they became public movements. My research led me into the intertwined histories of women’s health, early suffrage activism, abolition, and the expectations placed on mothers in antebellum New England.

One of the most poignant parts of Amelia’s journey is her experience of losing a child. In the nineteenth century, women were expected to bear such grief with fortitude—a word that carried the weight of emotional endurance and silence. Amelia’s stillbirth and her struggle to regain her health reflect what many women faced without the medical understanding or emotional support we now consider essential. I imagined she might have suffered from what we would today call postpartum thyroiditis or depression, though such conditions had no names then. Her recovery is a testament to her inner strength and the fragile medical realities of the time.

Another thread that fascinated me was the early women’s rights movement. Amelia never meets Lucy Stone, but at a women’s luncheon she hears about Stone’s lectures, her Boston bookstore, and her “Conversations”—gatherings where women explored education, philosophy, and social reform. These ideas spark something in Amelia. They show her that women were already questioning their roles, imagining broader lives, and supporting one another’s intellectual growth.

Education, in particular, becomes a powerful theme. At the luncheon, the women ask one another: “What would you do if you had more education?” It’s a question that would have been radical in 1849, when higher education for women was rare. For Amelia, it opens a door to possibility—one she didn’t know she was allowed to imagine.

Motherhood, too, was shaped by social expectations. In nineteenth‑century America and Victorian England, motherhood was idealized as a woman’s highest calling. Yet women with means often relied on nannies for the daily labor of childcare. Amelia’s struggle to accept help reflects the tension between societal ideals and personal reality. She wants to be a loving mother, but she also longs for intellectual engagement—much like Elizabeth Peabody, who appears in the novel and later founded the first English‑language kindergarten in the United States.

Researching this period reminded me how intertwined these social movements were: abolition, women’s rights, educational reform. Even the maritime world reflects this—many free Black men in New England found work aboard ships, a detail that helped shape David’s world at sea.

Writing this novel allowed me to explore how a woman like Amelia might navigate illness, grief, marriage, motherhood, and the stirrings of social change. Her story is fictional, but the pressures and possibilities surrounding her were very real.

Note: The medical details in the novel are fictionalized for storytelling purposes and should not be taken as medical advice.

The Captain’s Wife eBook will be free on Amazon from March 15, 2026 to March 19, 2026

Looking back

It’s hard to believe, but this Spring will mark seven years since I published my first novel, Amelia. Amelia’s story begins in England in 1845. It is a lovely story about a young lady who must face hardship but finds strength, love and blessings in the process. A year later, I published The Captain’s Wife which is set in Boston in 1849. While Amelia is historical romance, The Captain’s Wife could be classified as women’s historical fiction. In 2021, I published my romantic mystery, Gathering Secrets, which is set in San Francisco in the early 1950s.

Due to changes in my life when my late husband passed on, I slowed my writing pace but I am making progress on my fourth novel, also a romantic mystery set in the early 1950s.

Amelia, my first novel, published in 2019.

Writing takes many forms

It’s been nearly a year since I wrote my last blog post. But that doesn’t mean I haven’t been writing. Writing takes many forms. I journal in the morning, but even that can take many forms. Sometimes I journal in my six by nine-inch spiral bound journal. I have boxes of spiral bound journals dating back to around 2004. When I’m not writing in my journal, I write in my 2025 date book, recording what I did the previous day.

Even creative writing can take many forms. Recently, I joined a Life History Writing class in town. Writers are limited to a five-minute read which is about 500 to 700 words. Writing a short essay forces me to trim the excess. It is good discipline, and I love writing my essays and remembering events that took place years ago.

In addition to journaling and writing my life history essays, I am writing on my fourth novel fairly regularly, though not as regularly as I had before my late husband passed away. Like my third novel, this fourth novel is set in the early 1950s an era full of history, charm and character. Writing this novel has been slow going but I have 144 rough draft pages so far.

To sum up, writing can take many forms so if you want to write, just get out that pen, pencil, paper, typewriter, laptop or stand-alone computer and write. You may ask, “Does texting or writing emails count?” Not sure about that! Feel free to comment.

Writing grounds me

When I lost my husband, I had to find a way to heal my widow’s soul. Much of my healing journey came through writing. At first, the only writing I was able to do was my morning journaling, a practice I had for decades. Every morning, I settled in my chair with my cup of coffee and wrote my thoughts in my small spiral notebook.

I also found a pretty little journal where I wrote about my late husband and our marriage. For me, it was healing to have a physical spot, like the pretty journal, to memorialize our life together. But I wasn’t yet able to get back to writing on my fourth novel which I had started before my husband passed on.

It has been two years now since I lost my husband. The wound of losing him is slowly healing and I am finally writing on my novel every day. It’s still in the developmental stage, where I often make dozens of changes, but at least I am working on it again. I look forward to the day when I can offer it to my readers!

A Time to Mourn and a time to dance

I have been away from this blog for quite some time now for the simple reason I had been the primary caregiver of my now, late husband. I had no time or energy to write. Remembering that there is a time for everything — “a time to weep and a time to laugh, a time to mourn and a time to dance”, a few months ago, I put on my dancing shoes and re-engaged in the world again. I resumed ballroom dancing, found new friends and new activities. I recently discovered tai chi and am finding it very enjoyable and emotionally healing. I am smiling, laughing and enjoying life once again. I think there is truth in the Buddhist philosophy that change in life is inevitable. But I’ve found that even unpleasant change can bring new opportunities for growth. I hope to get back to writing on the fourth novel I had started. In the meantime, I shall resume blogging between my tai chi lessons!

Coeur a la Creme

Coeur a la Creme is French for “Heart with Cream”. Some years ago, I made this delectable dessert for Valentines Day. Earlier, I had been lucky to find the odd-looking porcelain molds at an estate sale. I wasn’t sure why there were holes in the bottom of the cute little heart-shaped molds. When I got home, I researched on the internet and learned the molds were used for Coeur a la Creme. I found the recipe and couldn’t wait to try it on Valentines. Coeur a la Creme is basically, a no-bake cheesecake. You can find Coeur a la Creme recipes on the internet, so I won’t include a recipe here. You will need cheesecloth to line the bottom of your molds. Most recipes call for cream cheese, sour cream, powdered sugar, lemon juice, vanilla extract and salt. You can garnish the Coeur a la Creme with raspberry sauce or strawberry sauce. Happy Valentines Day!